jeudi 11 juin 2015

File: 13 June 2015,Parker vs Scorpion Live Nz boxing At New Zealand.

THE BURGER KING ROAD TO THE TITLE

JOSEPH PARKER VS YAKUP 'THE SCORPION'
Saturday 13 June 2015, 5:45pm
Arena Manawatu, 61 Pascal Street, Palmerston North

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Click to Watch live

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MAIN EVENT

Joseph Parker (NZ) v Yakup 'The Scorpion' Saglam (GER) - 12 x 3 minute rounds

 

JOSEPH PARKER

- Age: 23

- Record - Won: 13 (KO 11)

- Height:  6’4” / 192 cm

- NZ Heavyweight Champ, #8 WBO, #10 WBA

- Holds WABA-PABA and WBO Oriental titles

- Hopes to enter the World top 5 in 2015

YAKUP 'THE SCORPION' SAGLAM

- Age: 38

- Record - Won: 34 (KO 31), Lost: 3 (KO 2) 

- Height:  6’4” / 193 cm

- German Heavyweight Champ

- 31 of his 34 wins were by way of knock out

- Parkers most dangerous opponent to date


EVENT DETAILS

DATE: Saturday 13 June, 2015

CORPORATE DOORS OPEN: 5:45pm

GENERAL ADMISSION DOORS OPEN: 5:45pm

CHARITY BOUT STARTS: 6:15pm

FIRST PRO BOUT: 7:30pm

EVENT CONCLUDES: 12:00am

VENUE: Arena Manawatu, 61 Pascal Street, Palmerston North

DRESS CODE: Formal dress for Corporate guests  - Smart Casual for Allocated Seating

BROADCAST: Live on SKY ARENA, PAY-PER-VIEW

 

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from Game Informer Magazine http://bit.ly/1f5HzWH

File: FOX.TV//Chile vs Ecuador Live Stream

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from Game Informer Magazine http://bit.ly/1S8upGC

Blog Post: Batman Arkham Knight Special Edition PS4 Comes Out Soon

I've been waiting what seems like forever for this PS4 to come out since the day I pre-ordered it. It's finally coming close to when I can actually use it and it's probably going to be one of the coolest systems I will ever see.

from Game Informer Magazine http://bit.ly/1f5HzWy

Trinidad Drilling acquires CanElson to set stage for oil-price recovery

Marriage of two mid-sized players creates the third-largest rig fleet operator in Canada as companies look to reduce costs

from The Globe and Mail - Globe Investor http://bit.ly/1cOqRZV

Avoiding the dividend growth diversification trap

Here’s a diverse portfolio that pulls from multiple sectors

from The Globe and Mail - Globe Investor http://bit.ly/1GwtRWR

Jaguar Land Rover testing out pothole-detecting camera, sensor tech

Jaguar Land Rover announced Tuesday it is testing a pothole-detecting sensor with a cybernetic eye towards crowdsourcing information about the suspension-bashing nuisances. (Provided by Jaguar Land Rover)

Jaguar Land Rover announced Tuesday it is testing a pothole-detecting sensor with a cybernetic eye towards crowdsourcing information about the suspension-bashing nuisances.

The automaker’s concept would have a series of connected cars sharing pothole data with each other so fellow drivers could avoid pothole-heavy areas or the car itself could tweak a suspension to minimize damage. Jaguar said it achieves the latter by activating a magnetic field that affects particles inside the suspension, changing the viscosity of the damper fluid.

The data would also be sent to a cloud to provide free road condition research to public works and transportation agencies (who at least in America will ignore them because of budget cuts).

Sensors tested in the Range Rover Evoque and Discovery Sport seem to be working, according to Jaguar, but the vehicles have to drive over the potholes to get the data. (Good luck getting volunteers.) Jaguar now plans to install  front-facing stereo digital camera in a Range Rover Evoque to try and see the holes early.

“At the moment the most accurate data comes from when the car has driven over the pothole or manhole,” Jaguar global connected car director Mike Bell said in a statement. “So we are also researching how we could improve the measurement and accuracy of pothole detection by scanning the road ahead, so the car could predict how severe they are before the vehicle gets near them.

“Ultimately, sensing the road ahead and assessing hazards is a key building block on our journey to the autonomous car. In the future, we are looking to develop systems that could automatically guide a car around potholes without the car leaving its lane and causing a danger to other drivers. If the pothole hazard was significant enough, safety systems could slow or even stop the car to minimize the impact. This could all help make future autonomous driving a safe and enjoyable reality.”

The Coventry, England, City Council will get a taste of the data produced by the sensors so that Jaguar can understand what a local government would like to know about its roads and a method of delivering such data.

“While this gives our customers a more comfortable ride, we think there is a huge opportunity to turn the information from these vehicle sensors into ‘big data’ and share it for the benefit of other road users,” Bell said in a statement. “This could help prevent billions of pounds of vehicle damage and make road repairs more effective.”

“We are just beginning to explore how we could use this technology, but data that includes the severity of the issue, its exact location and an image has huge potential,” Coventry City Councillor Rachael Lancaster said in a statement. “This is just the sort of information that could help us identify the cause of the problem, prioritise it and contact the owner of the manhole or drain to get it fixed more quickly.”

Unfortunately for the auto repair industry — both collision and automotive service — this seems yet another piece of realistic technology that could impact business. However, potholes are going to return or lay unfilled for months, and drivers (or self-driving cars) don’t always have the option of avoiding them. And there’s likely to be at least a partial recoup of lost business through more expensive sensors raising repair costs.

More information:

“Jaguar Land Rover Announces Technology Research Project To Detect, Predict And Share Data On Potholes”

Jaguar Land Rover, June 10, 2015

Featured image: Jaguar Land Rover announced Tuesday it is testing a pothole-detecting sensor with a cybernetic eye towards crowdsourcing information about the suspension-bashing nuisances. (Provided by Jaguar Land Rover)



from Repairer Driven News http://bit.ly/1f5Hpyz

U.S. considering more military bases in Iraq – top general | Reuters

NAPLES, Italy The United States is considering building more U.S. military bases in Iraq to drive back Islamic State militants in a move that may require a further increase in American forces, the top U.S

The post U.S. considering more military bases in Iraq – top general
| Reuters
appeared first on Firstpost.



from Firstpost http://bit.ly/1GwtvQ8

China’s economy shows little improvement in May, investment growth sinks to 15-year low | Reuters

BEIJING China's ailing economy showed few signs of improvement in May, with factory output steadying but investment growing at its slowest rate in nearly 15 years, pointing to further weakness unless Beijing ramps up its stimulus efforts.

The post China’s economy shows little improvement in May, investment growth sinks to 15-year low
| Reuters
appeared first on Firstpost.



from Firstpost http://bit.ly/1GwtvzN

Unstoppable

Biologist Dr. E.O.Wilson spent many countless childhood hours watching ants. His unremitting interest eventually led to his ground-breaking research into sociobiology and biodiversity, becoming renown as the world's leading expert on myrmecology.

Dr. Terrance Tao, mathematician, spent endless childhood hours playing with puzzles and math problems. His consuming passion led him to becoming one of the youngest Fields Medal winners. He's received many major mathematical accolades in areas of combinatorics, harmonic analysis, matrix theory, and other areas.

Dr. Seuss (aka Theodor Geisel), children's book author and illustrator, spent numerous childhood days at the zoo with his father (the superintendent of parks), sketching animals that would one day inspire the fantastical creatures that inhabit his timeless, world-famous and award-winning books.

Through these examples, I'm reminded of the wisdom spoken by Paul Graham in a January 2015 article stating,
"The stranger your tastes seem to other people, the stronger evidence they probably are of what you should do."

Further examples of gifted children with unique passions who followed those passions into careers could fill volumes. In the book Far From The Tree, author Andrew Solomon describes prodigies, each experiencing an intrinsic motivation to fully understand and expand upon a specific unrelenting passion. This motivation was given a name by Dr. Ellen Winner in her book Gifted Children: Myths & Realities. She termed it rage to master. Dr. Winner explains that these gifted children "...exhibit an intense and obsessive interest, an ability to focus sharply...". Rage is an apt term.

Try to stand between a child and his/her passion. What results is anger, frustration, sadness.


A related term, coined by Dr. Brock Eide & Dr. Fernette Eide, alludes to the gifted brain's hyper-sensitivity & increased glucose utilization as seen on fMRIs.  Brains on fire.

This increased glucose utilization is truly interesting, as I have heard from so many parents including myself who speak about a physical need for food that comes when their child is intensely learning. Skip a meal and these children may experience symptoms analogous to that of a diabetic with hypoglycemia. Rage to master can be thought of as the intellectual component of the over-excitabilities of Dabrowski.

Those who have witnessed rage to master in their own gifted children or in the children of friends or relatives undoubtedly have seen both the advantages and disadvantages to this way of learning. It is without question a hunger. A devouring of information and experiences. An unstoppable force of nature.

But this hunger can be at odds with traditional ways of learning. Children with rage to master seem out-of-place and time with other children and adults.


More often than not, the passion is unique and not one shared with age-peers. In the book High IQ Kids, in the chapter by Judy Fort Brenneman, she discusses how her profoundly gifted child was a poor fit for the school. Neither the special education classroom nor the mainstream classroom suited his needs. His behavior became unacceptable. What the school said was "If only he could slow down so we could teach him." The mother replied with "Why can't they speed up?" Exactly.To.The.Point.

Children like this perform with intensity at home, consuming information and always creating to better understand their world and their thoughts. Yet at school, they are asked to decelerate learning. To slow down. To brake.

BREAKING NEWS: They can't decelerate. Asking them to stop learning and creating is nothing short of cruel and inhumane. Think about Kurt Vonnegut's profound story "Harrison Bergeron" and the true meaning of equality. Think of Stephanie Tolan's excellent essay "Is it a Cheetah?"

Families with these children are placed in a nearly impossible position by then requesting acceleration for their child. It isn't acceleration, per se, these children need. It's appropriate education at their level of need. FAPE (Free Appropriate Public Education). These children aren't asking for something above and beyond an appropriate education. If other children are being given a challenging education, so should these children. The difficulty and ambiguity of the definition of FAPE and gifted education is a discussion for another time.

Acceleration, after all, may simply be a fuzzy politically correct term. Consider the ramifications of calling it by its proper name - appropriate education - and then try to withhold it for a child. How could one in all fairness justify deceleration in the presence of suitable ability?


But many school districts do not accelerate. Some allow for pull-out classes 1-2 times per week. Some schools do not even recognize ability if accompanied with a learning disability. Other schools, when confronted with acceleration, instill a worry in parents about socialization (as if socialization in a class where the child cannot relate to the slowed pace and is repeatedly made to feel wrong or broken is somehow healthy). This, despite large amounts of evidence to the contrary, as reported in A Nation Deceived.

So what happens when a gifted child with rage to master is denied the opportunity to fulfill that passion? Families are all too familiar with the outcomes. Acting out in class, depression, somatic symptoms (headaches, stomachaches), school refusal, underachievement, and being  labeled by professionals for attentional issues, conduct disorder, learning disabilities. Of course, some of these children may have mental health and/or learning disabilities in conjunction with their rage to master. Determining with accuracy the presence of a disorder requires first addressing the educational environment.

One powerful story of a misunderstood gifted child comes from this blog's reflections upon Ken Robinson's excellent book The Element.

It is our responsibility as adults and parents and educators to strive to understand the needs of all our children and to acknowledge a child's inner feelings. To help understand such a child's inner feelings, I have never come across anything more potent than this poem by Pearl S. Buck.
"The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanly sensitive. To him...
A touch is a blow,
A sound is a noise,
A misfortune is a tragedy,
A joy is an ecstasy,
A friend is a lover,
A lover is a god,
And failure is death.
Add to this cruelly delicate organism the overpowering necessity to create, create, create -- so that without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating."

Do I have my own stories about my child? Absolutely. Suffice it to say right now that my son has been permitted to explore his passions through unstructured homeschooling for the past decade. Not every day is completely rosy, as no one's life is always thus, but freedom to learn is a right to be cherished and upheld no less than any other human right.
"Don't ask what the world needs. Ask what makes you come alive, and go do it. Because what the world needs is people who have come alive."  -Howard  Thurman, author, theologian, civil rights leader


This post originally appeared on Kuzujanakis.com

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from The Huffington Post | The Full Feed http://huff.to/1KImBJx

Documentary Project On Black Women In Tech Smashes Kickstarter Goal

The press has documented Silicon Valley's problems with racism and lack of diversity for years now, but challenges remain. Simply reporting that black tech entrepreneurs face institutional bias has not made tech companies more diverse, and women are continuing to leave the industry.

Now, some activists are trying to bring more minorities into the industry by telling stories about minority entrepreneurs' success -- and failure -- so that more minority role models are elevated in the tech industry and the media. That's the big idea behind Project Diane, a storytelling undertaking that blogger Kathryn Finney launched in February 2015.

Finney, who's also a social entrepreneur and trained epidemiologist, expanded on the project this month by co-creating a Kickstarter campaign to crowdfund a documentary about the "intersection of race and gender in tech," specifically on the experiences of black women.

Dubbed #RewriteTheCode, the campaign hit its goal of $25,000 in less than two days, receiving support from 216 backers with no media coverage.

"When we initially started, we didn't know the strength of the network," Finney told The Huffington Post. "We underestimated its power. People do care. People do want to hear our story. It's given people something to believe, particularly women of color, who were starting to feel almost abused by the tech world. They were really feeling like there was no hope, and nothing we could do."

She says that 95 percent of those first donors were from outside of Silicon Valley.

On Thursday, day 11, the campaign passed the $40,000 mark, with 370 backers and climbing.

#RewriteTheCode: Intersection of Gender & Tech from digitalundivided on Vimeo.



Prior to Project Diane, Finney founded Digitalundivided, an incubator for tech startups, in 2012 to train more diverse founders and integrate the tech industry. She's part of a movement to disrupt tech's diversity problem, and the effort is getting more traction in the context of broader societal discussions about race and inequality.

Finney hopes to get to 500 Kickstarter backers by the end of June. "We don't care about the size of the donation," she said. "We want to put an exclamation on what we're doing. The issue for Silicon Valley is that it's such an insular community. They're not seeing how their customers want to interact with technology. For us, having 500 people would show how many people want to do this and want something to change."

I asked her what kind of long-term change she'd like to see in the industry, as a result of her project. How would the world change if the people in the documentary inspire others to code, create apps, build businesses, ship products and become entrepreneurs?

"I want more opportunities," said Finney. "I just want to see outside groups be treated normally. I don't want extra help. I want to be judged by my ideas, rather than on some crazy social, racial or gender issue. I think we're getting there."

As my colleague Emily Peck wrote this week, technology companies are doing more to encourage diversity in the industry. Complex problems require complex solutions. Finney's documentary could be one more piece of the puzzle.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.



from The Huffington Post | The Full Feed http://huff.to/1MtLEhR

Judge Assigned To Dennis Hastert Case To Remain Despite Ties To Former House Speaker

U.S. District Court Judge Thomas Durkin will continue to preside over the case against former U.S. House Speaker Dennis Hastert (R-Ill.), despite having donated to Hastert's campaign in the past.

According to the AP, Durkin donated $500 in 2002 and $1,000 to Hastert's campaign in 2004. Before becoming a judge he also worked with attorneys from both sides and with Hastert's son.

Hastert pleaded not guilty on all counts to lying to the FBI and attempting to evade federal banking rules in order to cover up past alleged sexual misconduct.

He was indicted by a federal grand jury in May, amid reports he allegedly withdrew $1.7 million to pay a man to stay quiet about a sexual relationship from when Hastert was a high school teacher. He had reportedly agreed to pay $3.5 million in hush money.

Hastert hired Sidley Austin's Thomas Green, a high-profile Washington, D.C., lawyer, earlier this month.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.



from The Huffington Post | The Full Feed http://huff.to/1KImBsN

The Leveling of the College Playing Field

As Millennials begin embarking on higher education, we continue to be berated for our supposedly inherent entitlement and indulgent behaviors simply because we grew up in a time where we had the ability to quickly search and find cat photos at our own leisure.

It seems everyone wants to think that college students today go off to ritzy, over-priced schools and rack up debt in the form of loans they never intend to pay off; nevermind the fact that getting accepted into an incredibly competitive, high-profile school used to be something revered, but now is seen as an indulgence. Yes, I believe that with hard work and ambition, a degree is a degree and the institution on your diploma does not determine your outcome. Still, I wouldn't mind being at Yale right now.

Fearing the prospect of being in debt before I even have a job that pays above minimum wage, I chose to take time off and work two jobs to try and save some money. I am mostly met with "You're going to have so much more respect for yourself because you are paying for your own education" and "See? That's how we used to do things. Hard work and perseverance." While I appreciate the sentiment, it displays an unfortunate truth about older generation's impressions of college students.

While I do have a certain degree of pride for paying my college fees, I would much rather be living off of daddy's credit card than have a newfound sense of pride. You can't pay for text books with self-respect. Believe me, I've tried.

Furthermore, college tuition prices have increased 1,120 percent since 1978, according to Bloomberg.

So yes, back when our parents and grandparents were in school, hard work meant something different. My current definition of hard work includes an abrupt halt in my education to return home and work two jobs to try and scrounge up money before falling into tens of thousands of dollars in debt.

The majority of students at my first college did not fall into that category. Parking decks were littered with brand-new Jeeps, BMW's and even the occasional Audi. It was like a Grey Poupon commercial.

While I'm positive there was also a population less fortunate than I, the bulk of the school was incredibly privileged. Even with all of us in the same setting, the notion of "equal opportunity" does not exist. Certain students, myself included, juggled jobs in between 15 credit hours while others were able to drop $300 on a tutor. Some were able to afford taking on an unpaid internship, while others could not afford to not have a paying job.

With these few examples in mind, it's quite clear that the college education system has become increasingly unfair. When students go to apply for jobs, the ones who could afford a tutor and have internship experience are more likely to receive a job than the ones who worked entry-level minimum wage jobs. Now to be clear, there is no shame in working these types of jobs, but unfortunately the job market does not treat all work experiences equally-not to mention that even if I do get hired, I will make $0.75 on every dollar a man makes, so hey, I was screwed anyways.

So to review: We can't afford tuition without extreme financial stress and debt, competition between students is rigged and my only marketable skills are cashiering and forcing a smile.

I understand the importance of this time in my life and with every social media post about friends studying abroad and winning academic awards, it stings. I am someone who genuinely wants to be in college, but circumstances beyond my control have inhibited that. There are many others just like me, who have had to compromise their goals due to financial struggle.

Until college is no longer treated like a business in America, it will continue to create an unlevel playing field. Those who are genuinely enthused about learning deserve a chance at higher education.

While I have much appreciated this time I have taken off because I have been able to really understand what I want to study and where I wanted to transfer, the financial struggles have made this into a very stressful situation. If someone wishes to take time off, it should be for the purpose of self-discovery and recovery, not because they ran out of options.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.



from The Huffington Post | The Full Feed http://huff.to/1MtLE1a

'Real Housewives Of Beverly Hills' Star Kim Richards Pleads Not Guilty To Battery, Resisting Arrest

"Real Housewives of Beverly Hills" star Kim Richards pleaded not guilty Thursday to charges of battery and resisting arrest.

E! News reported that attorney Robert Shapiro sent an associate to enter Richards' not guilty plea Thursday in Los Angeles Superior Court because the former actress and reality star is currently in a residential rehab drug and alcohol program. In response, Deputy District Attorney Leila Tahmassebi made an offer of three years' probation and 30 days in jail or 30 days community labor plus restitution, plus 52 Alcoholics Anonymous meetings.

The 50-year-old was arrested in April after causing a disturbance at the Beverly Hills Hotel's Polo Lounge. She allegedly refused to come out of the bathroom when police were present and tried to kick an officer in the groin, according to the Los Angeles Times.

She exhibited "slurred speech and belligerent, insolent behavior, cursing at the officers and passively resisted arrest," Lt. Lincoln Hoshino said.

She was later charged with public intoxication, battery on an officer and resisting arrest.

Last week, E! News reported Richards will not be returning to RHOBH for the sixth season as a full-time cast member, although she may make cameo appearances. In Season 5 of the series, her co-stars questioned her sobriety and she vehemently denied their claims.

Following the incident at the Polo Lounge, Richards sat down with Dr. Phil while surrounded by three of her children and admitted that she had lied to her co-stars about her alcohol abuse, which she has been battling since the 70s.

“Living through this season on the show, sometimes it’s hard enough to get through it," she said regarding her relapse. "The fans are very hard on me, and I went on [social media] to see what people were saying, and it was just horrible."

She ultimately wound up storming out of the interview when Dr. Phil brought up treatment.

Richards is due in court July 16.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.



from The Huffington Post | The Full Feed http://huff.to/1KImBct

Two Women Try Their Hardest To Understand 'Goodfellas'

On Wednesday night, Kyle Smith wrote an article for the New York Post proclaiming that "women are not capable of understanding 'Goodfellas.'" So, Erin Whitney and Lauren Duca, two Huffington Post Entertainment writers who are also women, tried their very hardest to figure out why.

Lauren: Hey, Erin! So, I was just giving myself a pedicure while eating Special K with estrogen-infused soy milk and I saw this article by Kyle Smith saying women can't understand "Goodfellas." Can I tell you, I almost spit up my morning Midol at the thought. Are we really "irrelevant" to the "Goodfellas" fantasy??? Is there a way we can be relevant to it?

Erin: I'm so glad you asked, Lauren. When I woke up this morning to check my Cosmo horoscope, that headline showed up in my TweetDeck right next to my Favorite Feminists group column. Before even reading the post, I burst into tears. How could I not have known that after all these years of loving the Scorsese classic, I was fooling myself all along? I immediately threw my "Godfather" Blu-ray box set in the trash of overflowing tissues; I clearly just watched those to fuel the anti-violence protest rallies I go to after Wednesday book club. What do we do? Do you want to bring over a couple pints and consult Carrie Bradshaw for advice? My whole world is changing.

880carrie

Lauren: Wow, by "pints" I hope you mean "pinot," Erin. Just think of the calories. But yes, we need to do some serious thinking about what this inability to understand "Goodfellas" means for us. I feel totally blindsided, like I just found out my lipgloss is tested on baby bunnies or that Splenda is a carb. Where should we start? Do you think the problem is, as Kyle Smith says, that women are the "sensitivity police"? Could that be what my bitch therapist meant when she said I had a tendency to be "stubborn and unyielding"?

Erin: I mean, my mother raised me to actively protest violence and bad language and to always let the men do the heavy-lifting and heroic gun-toting. Perhaps what Smith was trying to get at is that all the fumes from baking pies for decades has made the female brain incapable of understanding any and all art that doesn't strictly depict women, I mean 99 percent of art. Or perhaps all the eyeliner has simply blinded us from appreciating anything outside of "27 Dresses" and "Real Housewives." Because, after all, who are we kidding to think that in 2015 film and television could have diverse representations of gender and minority identities, and even if so, that we could actually understand them? Maybe we should apologize to Mr. Smith for invading his love of "Goodfellas"? Cis white males have it tough enough as is.

Lauren: Ugh, smack me in the face with a William Sonoma spatula! You are so right. We get that 1 percent of art and we can't just be satisfied with it. You know, the cis white males let us have "Sex and the City," "The View" and the entire Lifetime channel and still we want more? I never realized it until literally right this second, but hetero-social activities like the "ball-busting" Smith describes are just not for us to see. How foolish were we to think women could move outside of the archaic gender norms prescribed for their behavior? God, I feel dumber than when I thought a third wave feminist reading could be applied to "Pretty Woman." I do have to ask, though ... is there any way for us to understand "Goodfellas"? Do you think we could be capable of liking it if we changed gender??

880carrie2

Erin: Hold on, let me pause "He's Just Not That Into You" and put the rest of the cookie dough back in the fridge.

Okay, I'm ready for some real talk, teeth out, fists up. Let's pick apart Smith's one-layered (is there even one layer of anything here?) argument to figure out how in the world anyone besides men are able to justify liking "Goodfellas," since now that's something apparently needing justification.

It's too bad Smith has such an archaic perception of gender. Since he doesn't take it upon himself to define what exactly one must be to understand the film -- are we talking about individuals whose biological sex is male, or those who identify as the male gender, keeping in mind here that yes, gender and sex are two very different things -- we'll have to assume. With this lack of description, we'll have to guess that Smith means cis males, thus proclaiming that every other identity, cis women, trans women, trans men, intersex individuals, genderqueer individuals and every identity outside and in between the spectrum of male and female, all have no possible way of understanding a simple movie. Smith asserts himself as the top knowledgable source simply because of a Y chromosome, assuming that appreciations and recognitions of art are limited to one's biological sex. As someone who identifies as genderqueer (and for purposes of the tongue-in-cheek fun of this article, I have embraced my feminine side to highlight the idiocy of Smith's "argument") not only is his stance highly offensive, but shockingly self-righteous. It's almost just as absurd to even attempt to point out the many problems of it. Not only does it assume one's capabilities to grasp/identify with/generally enjoy basic storytelling and filmmaking concepts depend on their sex, but it inserts a repulsive level of misogynistic hierarchy into film and pop culture journalism. Should only Kyle Smith and white cis straight men review movies about those types of people (which as we've said above, is like, all movies usually)? Should film and TV be segregated -- women-only movie theaters for the dumb women who "police" non-feminine content! I feel like I'm shouting the obvious, but come on.

880carrie3

Lauren: Oh, thank God we're done with the sarcastic part of this article. My tongue poked right through my cheek.

AMEN to all of that, every last word. There is just so much he assumes is automatic to being born with a penis. When are we going to get past this absurd idea that the thing between our legs determines our perspective of the world? And, by God, what half-formed, 1950s line of reasoning charts All Men and All Women in two distinct categories in terms of all preferences and lifestyle choices? Never mind the fact that "Goodfellas" is really, as one of the commenters Kelley Youman put it, about relationships. Even if it wasn't, though. Even if it was titled "Ode To Gangster Ball-Busting" that wouldn't exclude women from liking or understanding it.

Of course, Smith has been called “America’s most cantankerous film critic” by The Atlantic. The palpable reality that he is probably just trying to piss us off is more obvious than the door symbolism in Season 5 of "Mad Men," BUT I AM STILL SO PISSED OFF. The thing is, this is a disgusting, obvious, obnoxious bout of sexism. It's almost too easy to call out, like taking aim at a piñata shaped like Bill O'Reilly. What's really upsetting is that Smith's sort of thinking pervades the way many people (and, let's be real, probably most Post readers ...) think about the grossly limiting gender divide. That someone could write this and another person could publish it shows it's all, somehow, still acceptable.

Erin: I feel you, on every. single. level. Smith's post is definitely catering to, and likely in accordance with, a specific type of reader (*cough* men). Look at the follow-up article the Post published earlier today with the headline "Whoa, People Are Pissed At Kyle Smith Over His 'Goodfellas' Thing." Um, ya think?! Even worse, that post, which is merely a collection of reactions on Twitter, was written by the Post's Lindsay Putnam who describes herself as a "Passionate Feminist" in her Twitter bio. I obviously don't know if this was a story Putnam herself pitched, but I can't help but ask why and how a writer who identifies as a woman (I assume) could cover such a story with zero opinion on the matter. But then again, I don't know the editorial process over there, so maybe she wasn't able to inject her thoughts, or maybe she doesn't have any.

Regardless, the fact that this is something that can be published at a time when film and television have come significantly far in diverse portrayals of identities, with diverse women behind the camera, and even when we're placing films against the Bechdel Test, is astounding. Maybe we should stop fanning the flames of Smith's preposterous words any further. But hey, for as long as Henry Hill could remember, he wanted to be a gangster. And for as long as I remember, I liked all the movies that "boys" were supposed to like, and I couldn't care less what that has to do with what's between my legs, your legs, or anyone's legs. "Goodfellas" is an incredible movie. Gender isn't a requirement to realize that.

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from The Huffington Post | The Full Feed http://huff.to/1MtLDKF

LGBT Voices for #BlackLivesMatter

They had grown angry at the constant humiliation and harassment by police. In the face of more brutality the anger turned to action and a riot broke out. As word spread throughout the city, the crowd was joined by others who started shouting and throwing whatever they could find at the police.

No, this isn't a report from Baltimore or Ferguson. It is from the Stonewall Inn decades ago. Or it could have been San Francisco in 1979 when a peaceful march for Harvey Milk gave way to riots as the former police officer who murdered Milk and Mayor Moscone was given the lightest possible sentence. Rioting is not a rational act. It is a howl of pain when no answer seems available or imminent.

Equality Florida's purpose is to secure equality and justice for Florida's lesbian, gay, bisexual and transgender (LGBT) community and from the beginning we embedded a commitment to combating racism and sexism into our mission.

We understood then that we live at the intersection of multiple identities, because the LGBT community includes people of all races, all genders, all economic statuses and all ethnicities. The challenges we face as women, people of color and people of diverse ethnicities are amplified by anti-LGBT discrimination.

It is why we have been part of coalitions to protect affirmative action and reproductive choice. It is why we have worked for fair and open elections and to end voter suppression tactics aimed particularly at communities of color.

It is why we spoke out against Stand Your Ground laws when Trayvon Martin was killed.

Those stances have come with some push-back from within our own community. Some people asked, "What does that have to do with gay rights?"

Our answer is: Everything.

We take these stands for the same reason that the NAACP spoke up for marriage equality.
For the same reason Planned Parenthood stands shoulder to shoulder with us in Tallahassee. For the same reason Dr. King said these words:

We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly. This is the interrelated structure of all reality. You can never be what you ought to be until I become what I ought to be -- and vice versa.

The actions and experiences of any one person have a ripple effect that impact everyone else. What happens to one happens to all.


Our destinies are tied. And injustice is amplified disproportionately for the LGBT community. Homelessness and bullying are not unique experiences of our young people, but we understand we have to address those issues because of their disproportionate impact on our community.

When we say "Black Lives Matter" we are acknowledging the grim statistics:

The average life expectancy for a black transgender woman is 35 years.

An estimated 25.1 percent of black American women live in poverty. This is higher than any other ethnic group and black women in same-sex relationships are about three times likelier to live in poverty than their white counterparts.

Black gay and bisexual men in Florida are more affected by HIV/AIDS than any other racial or ethnic group in America. We must acknowledge the role of race in this devastating reality.

Equality Florida's board of directors voted to ensure our organization is a visible part of the #BlackLivesMatter conversation. Of course we know all lives matter. But in a culture literally built on denying black people full humanity, in a society where the gains of the past are under constant attack, at a time when Stand Your Ground laws make fear and bias evidence to exonerate, it is important that we say clearly that Black Lives Matter.

Finally, it is important to remember the connection. The LGBT community cuts across every demographic of race, gender, economic status and ethnicity, religion and region.

And we have a history that is important to remember. Each year when we celebrate Pride, we are celebrating our communities' resistance to a culture where our lives did not matter. Where police harassment and brutality was common and expected. Where humiliation and fear were the price of no longer hiding. So we understand what it means to stand up and push back against the police, against a culture that tells us we are less than, that our lives don't matter.

Policing is a challenging often dangerous job that draws many who take their oath to protect and serve seriously and with integrity. We believe that the tough job of policing is made more dangerous by those who swear to protect and serve but violate the community's trust. Keeping the community safe is a shared responsibility and we are committed to working with our allies in the community and in law enforcement to identify and advocate for solutions.

We are heartened at the growing voices from within law enforcement calling for real change. We will work to amplify those voices as we work toward the necessary changes in law and in custom.

But this conversation is not simply about the actions of a few "bad apples", it is about the systemic issues and root causes.

Working with our colleagues at Color of Change and the Black Lives Matter organizers in Florida among others, we will craft an action plan to ensure our voice is among those calling for fairness, accountability and justice.

Now is the time to put action behind these words.

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from The Huffington Post | The Full Feed http://huff.to/1MtLCq6

A Spot-On Anthem For Parents Of Picky Eaters

A new parody music video tackles a common source of parental frustration: dealing with a picky eater.

The ladies behind the YouTube channel Laughing Moms teamed up with SheKnows to create a parenting-themed version of the hit Magic! song "Rude."

"Why can't you just eat your foo-ood?" the moms sing. "You say you only want some nuggets or some cheese goldfish. How bout some fruit? But the answer's still no!"

Too real.



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Soon, Your Sex Doll Will Have An Intelligent Conversation With You

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Calatrava Calibrates and Celebrates Midtown Manhattan

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Monday Morning, June 8, 10 A.M: A score of journalists congregates in front of the architecturally revolutionary Seagram Building on East 52nd Street and Park Avenue. They are not here to confront the building's beleaguered Four Seasons Restaurant co-owner Julian Niccolini, who has been recently accused of acts of unwelcome sexual aggression and become tabloid fodder. They are here to meet, instead, with the visionary Spanish architect Santiago Calatrava, who did not design the Seagram Building - he was a small boy when it opened in 1958 - but did create the seven sculptures now lining the meridian in front of it and extending three blocks north to 55th Street. I join the waiting group, long intrigued by this man who spins steel into gossamer, who has created more bridgework than any dentist. I am an unwavering fan of his Margaret Hunt Hill Bridge in Dallas and have walked Calatrava's dramatic glass-floored arched bridge across the Grand Canal to the train station in Venice. The architect is also an engineer and an artist, whose sculptures, drawings and paintings have been exhibited at the Metropolitan, the Hermitage, and the Vatican Museums.

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It is 10:10: The architect is slightly late. His home and office are nearby, just up Park Avenue, and it's about to rain.

Now it's 10:20. He's still not here. Along with his unique, lyrical and light-filled aesthetics, Calatrava is known for his delays. His still unfinished 800,000 square feet winged World Trade Center Transportation Hub (train and subway station) was due for completion in 2007. At 4 billion dollars, it has cost taxpayers twice the original estimate. Other handsome Calatrava projects in Spain and Italy finished much behind schedule. Here on Park Avenue, rain seems more and more imminent. A publicist holds a bag of umbrellas, in case any of the journalists are ready to flee.

10:24. Calatrava arrives and I forgive his tardiness. He is charming and he has that movie star thing, that glow. No wonder he is referred to as a Starchitect. And he ushers in the sun. The publicist will not need to supply umbrellas after all. He looks a decade younger than his 63 years and wears a fine blue suit and vastly perforated matching Brogue shoes. For an architect, his eyewear is surprisingly quotidian, not part of the Le Corbusier, Philip Johnson, I.M. Pei tradition; just simple gold rimmed lenses. Of medium height, he possesses a head of thick dark hair and a high colored clear complexion. He introduces the very young and pretty woman at his side, who is dressed in a chic checked mini-skirted suit. She is his daughter Sofia, a college student.

He clearly loves New York and mentions his early history here, having re-envisioned a completed Cathedral Church of Saint John the Divine in 1992. In so doing, he won a competition, but there are no plans for the 19th Century Gothic structure to be topped by a Calatrava designed glass arboretum. But other buildings, stations and bridges of his design are being constructed worldwide.

His seven shining Park Avenue sculptures are aluminum, some both spherical and spiky, and some more pyramidal but also toothy. They are red or black or silver. The tallest is 40' across and 20' high. Some utilize almost invisible cable wires. A smaller one brings to mind a little silver raptor. Leading his audience back and forth across Park Avenue, Calatrava explains his color choices, saying they were selected to complement and contrast with the buildings adjacent to them; he seems to favor red in front of stainless steel and black besides pale stone or brick, and he always seeks to capture the energy that is midtown. He notes the style of the curtain wall Lever House skyscraper and the historic St. Bartholomew's Episcopal Church, which he calls "an ornament of the city." He explains in his lilting and warm Spanish inflected voice that with his sculptures created for this location, there is "not a single vertical because the city itself is so vertical." He is pleased with their proximity to passersby. He points out that the red one on 54th Street seems to be "containing space." And that a black one "has a lot of facets" and "is supported at one point." As he himself gestures, I notice that his expressive hands have unusually long nails. Perhaps he is a Spanish guitarist, I wonder. Anyway, he is pleased with the way the metal of his sculptures reflects the yellow taxis and bright streetlights.
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And he is happy to see his artwork as "part of the city for a couple months, not entities in themselves."

I ask him where they will travel after they depart Park Avenue in November. He thinks they may visit the streets of Paris, where he lived for twelve years prior to making New York home base. He says that New York today is what Paris was 100 years ago.

I then ask when the transportation hub will be complete and he says that, "only the Port Authority has the right to answer that question." While some blame Calatrava for the delays, other place blame with the Port Authority of New York and New Jersey. While the hub remains under construction - although optimistically due for completion in six months - Calatrava's stunning white underground pedestrian passageway linking the World Trade Center and Brookfield Place (the World Financial Center), became operational eighteen months ago. And finally, two of the four PATH train platforms have opened.
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Copyright Sonia Moskowitz

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Copyright Sonia Moskowitz

He is also in the midst of building a gleaming white Byzantine-influenced church at Ground Zero that will replace the original St. Nicholas Greek Orthodox Church, destroyed on 9/11. It is due for completion in 2017, and seemingly on time. Calatrava has a myriad of other ongoing projects around the world; he mentions the Middle East and China in particular. For thirty years, he has primarily created public work: not just the more than 40 exquisite futuristic web-like bridges, but also railway stations and museums.

As for the riveting metal sculptures, Calatrava is proud that his work converses with a wide public: "Everyone can see and touch them. There is a strong link between sculpture and architecture."

The Marlborough Gallery represents Art by Santiago Calatrava.

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Santiago Calatrava
On Park Avenue (52nd Street-55th Street)
Presented by NYC Parks and the Fund for Park Avenue
June 8, 2015-mid-November, 2015

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from The Huffington Post | The Full Feed http://huff.to/1MtLAhZ

Should You Coach Your Own Kid?

The question as to whether parents should coach their own kids in sports has been a topic of concern since the first day that organized sports came into being.

The answer?

It depends on who the parent is and how they stack up as a parent -- or even as an individual for that matter.

As a former director of a youth sports organization with more than 15,000 kids playing all sports, I can tell you I've seen some great parent-coaches, and also, some bad parent-coaches.

The following are some of the characteristics of both types:

The bad parent-coach
  • This is the person who agrees to coach because he (or she) believes that their child is destined to be the next greatest sports star

  • This is the parent who agrees to coach so that they can make sure their child doesn't sit on the bench

  • This is that coach that never made it as a young athlete and plans to do everything to make sure that doesn't happen to his or her kid

  • This is the coach that thinks that if he shows favoritism to his own kid then the other parents and players won't like him. So in turn he or she constantly berates their child for the simplest of mistakes. In the end their kid suffers and in many cases ends up hating sports.


The good parent-coach
  • This is the parent who really cares about kids and is just there because he sees the value in sports in developing young people.


You may be saying to yourself, "Is that all there is about being a good parent-coach"? The answer is yes! Our organization, the National Alliance for Youth Sports, offers great resources to help parents along the way -- but if parents are involved in their child's sports for the right reasons, and if their actions are consistent with their motives, their child is well on their way to a fun and positive youth sports experience.

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from The Huffington Post | The Full Feed http://huff.to/1MtLBCA

Top Ten Ways to Overcome Stage Fright: Part 1

"The number one way to overcome stage fright is: Learn How To Control Your Diaphragm and Slow Your Heart Rate. This is the Method of Physical Action. Constantine Stanislavsky, the inventor of Method Acting, learned that by doing a physical act, you can create a true emotion. By creating a calm, confident physicality, you will feel calmer, more confident, and be able to enjoy performance. *Learn How In Part 2. Watch This Video Tutorial.

Here is the rest of the Overcoming Stage Fright countdown. I wrote it for singers with performance and/or audition anxiety, but it's useful for acting, presenting, and interviewing:

10. Forget Imagining Everyone In Their Underwear. That's just unsettling. Instead, try to Imagine the Presence of Your Number One Cheerleader. For me, that would be my grandmother. I imagine her face, somewhere in the audience, or slightly above them, elated and cheering me on at every note. The image feeds me. I can do no wrong in her eyes. I feel her shining on me and every moment of music is connected. If you haven't had a person like this in your life, try imagining your hero, or movie-crush, whoever you can enjoy feeling adored by while you sing. Imagine you are singing to someone you love and feel loved by, unconditionally.

9. Create A Magical, and Familiar Space That You Can Own. Any stage is magical by itself, but if you have not performed on it before, or many times before, it may feel as if it doesn't belong to you. Before you go to sleep at night, practice imagining a majestic place that is your own, e.g. the beach, or a mountain top. Re-create the sights, sounds, textures, temperatures, all the specifics you can, so that in the instant of walking out onto stage, you can see it, hear it, feel it, and smell it. It will give you a sense of familiarity, and ownership of the stage. Allow your audience to be there with you, in your space. Use a vast space that inspires you, that you are compelled to project into, instead of a small one, such as your bedroom.

8. Practice. Know Your Material Blindfolded. There's a good reason for concern, if you haven't learned your material. Practice every day. Know it. The added energy of being in front of an audience, will make your body behave a little differently than when you're alone. For experienced performers, who are feeling at home on stage, it can be a wonderful moment to put themselves on the line and play through a new song, that may contain rough spots, but if you're dealing with stage fright, play what you know, and what you've practiced.

7. Have A Plan. For example, if you are playing a full set of music, make a set list. Wondering what you should play next can completely pull you out of the song you are playing at the moment. It's a distraction. You can change your setlist on the fly, but it's ALWAYS a better show with a setlist. It helps you pace yourself and relax. If you are going to an audition, imagine what questions you could be asked. Prepare your answers. It can throw you off your game, if you are asked "Why do you want to be in the show?" and you don't have an answer. That will change how well you sing at your audition. Imagine what you would ask someone if you were the auditioner, and prepare those answers. If you are not asked the exact question you imagined, you often segue quickly and respond with your prepared answers.

6a. Think Through The Thoughts Of The Song. "Thinking thought" is one of the most valuable lessons taught to me by Michael Langham (Juilliard). It takes a while to learn how to trick your brain into believing it is creating each thought of the song, as you sing it. "Thinking thought" is the practice of connecting your voice to the words and sounds, as if the ideas are occurring to you for the first time. A powerful tool, it keeps your consciousness within the reality of the song. It enables you to sing the same song 10,000 times and have it always feel like it is the first time you are singing it.. "Thinking thought" helps to release you from the anxiety of judgement - your own or anyone else's.

6b. Know Who You Are, Who You Are Singing To and What Just Happened To Make You Have To Sing The Song. Along with "thinking thought," know in your imagination who you are, where you are and who you are singing to. It is easiest to go with what you know (e.g. I am me, singing to my dad, outside on our porch, after discovering my boyfriend has left me for another girl ala "Mama's Broken Heart," Miranda Lambert.) But, for the songs you sing that contain life experiences you may not relate to, you either need to pretend with an imaginary "as if," supposition - "what if" my boyfriend just dumped me for some other girl, and my mom told me "just get over it, already and fix your hair!" Or, you may need to use a substitution. If you can't yet imagine having a boyfriend, let alone a boyfriend that leaves you high and dry, smashing your heart into itty bitty pieces, you may be able to substitute the time something else very important was taken away, when you really, really wanted it. It only has to elicit three and a half minutes of true emotional connection to the thoughts of the song.


6c. Prepare What To Say Between Songs. For beginners, you will feel much more at ease, and do much better if you think about what you are going to say between songs, and then, again, think through the thoughts, as if those words are occurring to you in the moment. Speaking awkwardly about stories you are unable to convey or finish, can undermine your confidence and affect your ability to sing freely. Eventually, off-the-cuff stage banter becomes much easier.

Read the Top 5 Ways To Overcome Stage Fright in Part 2.

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from The Huffington Post | The Full Feed http://huff.to/1MtLA1l

What Moms Love About Dads

For every mom there is a dad, and while they can make us crazy sometimes, there are so many things that moms love about dads.

Moms love the way a dad looks with a new baby nestled in his strong arms. The soft, little ball of blue or pink is a stark contrast to the hairy, muscled skin they lay against, but still, the baby sleeps on, cradled safely in the arms of their father.

Moms love the way a dad plays with his toddler. Her face glows as she listens to the squeals of delight coming from her little one as they are being tickled, tagged or held captive by large, hugging arms. She can't help but smile as she overhears the revving car sounds, the pretend airplanes or even the silly songs that a dad creates to keep his child happy.

Moms love the way a dad comforts his terrified child in the middle of the night. She admires the way he faithfully searches the house for non-existent monsters at the request of his unreasonable little one, and then she holds back a tear when she later walks into the child's room to see him lying uncomfortably asleep on the floor beside a small bed.

Moms love the way a dad reads to his children. She loves listening to his deep, comforting voice as it takes his kids on a journey to distant lands, through the fire of dragons and safely back home again. She holds back happy giggles as she listens to him narrate in funny voices to the sheer delight of his entranced audience.

Moms love dads who listen to a seemingly endless story about what happened to his daughter that day at recess. They love the way he exclaims over her latest work of crayon art and tolerates her painful start on the violin.

Moms love the way a dad can't hold still on the sidelines as he watches his child attempt to take a ball to the goal. She loves when, after finding some way to master his intense frustration, he gently coaches his little one on to greater success.

Moms love when a dad hugs his tear-stained daughter as she cries out her broken heart. They love his righteous anger as protectiveness flares and he silently fumes over any injustice to one so precious to him.

Moms love a dad's grease-stained hands as he comes in from teaching his son how to fix a car or repair a bike. She loves how the entire family dons the same color on game day as they gather around dad to cheer on their team.

Moms love the way a dad can make anything more fun, more adventurous and more exciting. They love that dads can be a child's best friend and biggest hero. They love when dads are there through the thick and thin, fighting to put their children and family first, above all of the other demands on their time.

Moms love dads for trying. They love dads for caring. They love dads for listening to and being patient with moms, but most of all, moms love dads for giving them the greatest gift in the world -- the gift of their beautiful children.

You can chat with Amy on her Blog at Planning Playtime or be friends with her on Facebook and Twitter.

Photo courtesy of Poppies & Posies Photography.

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from The Huffington Post | The Full Feed http://huff.to/1MtLBCt

I Give Myself Permission to...

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Oh, I can't do that. It would be rude.

Oh my god, there's that awkward silence.

My parents really want me to at least finish school so I can have "security".

I can't quit this job right when they are going into the busy season.

If I leave my job to start a business I might go broke!

I can't, I shouldn't, I'm afraid, I'm shy, I have to explain, I don't want to stress them out, I don't know, I'm afraid to say 'I don't know'. I don't want to hurt them if I say "No".

This is not an advice post. This is a ME post. These are all the things I say to myself at least one a week.

I was just told that out of the 600 trillion years left in the universe, I won't be here for most of them.

Who will give me permission to do these things before my tiny visit here is over? Before my ticket expires? Before the ride has ended.

As a side note, I give myself permission to have one sentence paragraphs.

And grammar mistakes.

I also give myself permission to:

1) LEAVE EARLY

"But you just got here!"

I have to go. I have to sleep.

2) SAY NO

"But we were counting on it!"

Me: "................................"

3) DO SOMETHING I LOVE EVEN IF IT DOESN'T PAY THE BILLS

Most people seem to be able to predict the future. They say, "if I do X, then Y will happen."

I've never been able to do that. Mostly it's been, "If I do X then Y will happen" and then Z happens.

Now I try to say, "If I do X, then I have no clue. But X is what I want to do."

A lot of research shows that activities you do with internal motivation (e.g. "I want to help people") make three times the money as activities with external motivation (e.g. "I need to pay my bills") in the long run.

Plus when you do things that add to your freedom and improves your relationships with others, well-being is the result.

4) SAY, "I DON'T KNOW"

If you say, "I don't know" on TV then they will never ask you back. I know this for a fact.

What does that mean? It means everyone on TV is supposed to be perfect, supposed to fight, and supposed to have all the answers.

They even tell you on a little earpiece, "Jump in now and argue!"

I used to go on TV and then take a five hour shower afterwards and still not be clean.

As long as you behave the opposite of people on TV, then you will be happy in life.

Another question to ask is: "what do you really know anyway?" Most truths today are lies tomorrow.

Better to watch water in a river.

5) NOT CALL SOMEONE BACK

You don't have to. They're going to die someday and so are you.

Once we both die, all is forgiven.

It's not like we're going to meet in hell, being tortured in the seventh circle and he's going to say, "YOU! You didn't call me back!"

6) TRUST

If you improve 1% every day in physical, emotional, mental, and spiritual health then that's 3800% a year.

In a weird sort of math that means you're somehow 38 times better in one year.

Even if that doesn't make sense, you get the idea.

That's like becoming superhuman.

Trust that what you know then, will solve what you need now, even if you can't even imagine how that's possible.

Without Trust, you Rust.

7) NOT FAIL AND NOT SUCCEED

People say "fail fast" or "success is the goal" or "fail forward".

There's a sense that failure is good. Or that success is a must.

There's a sense that there's a river, and on one bank is failure and on the other bank is success.

Just go down the middle of the river. You'll get to the end faster than if you bounce off the banks.

Both success and failure are myths.

8) NOT GIVE AN EXPLANATION

If you say no to something, people sometimes want to know why.

I used to explain. Meaning: I used to lie. "I broke my leg". Or, "My father died". I used that one once. Then he did die.

Now I try (please let me get better at it) to do this:

"........................................................................."

9) TO ASK

If I'm curious, I give myself permission to ask.

If I'm willing to deliver value, I give myself permission to ask.

If I'm afraid to ask, I MUST ask.

In fact, I must ask fast. Before the fear wins.

10) TO CHOOSE MY FIVE

We're the average of the five people we choose to spend our time with.

I can choose whoever I want. If I don't choose, then on my deathbed I will wish I chose.

11) TO BE SILENT

The average person speaks about 10,000 words a day.

When there's that awkward silence, we all tend to fill it.

But before wisdom comes stillness. Before stillness, comes silence.

I love going on silent retreats. After even a few days you feel that every word you say has more power.

Value is often a function of supply and demand. Reduce the supply of your words and the value of each word goes up.

12) TO HURT SOMEONE

Sometimes I don't do things because I'm afraid of the effect it will have on others.

I don't want to hurt anyone and often I don't.

But what someone else feels is ultimately none of my business.

And I can't usually perceive my own best interests, let alone someone else's.

So do what you think is right, not what you think will avoid pain.

An example is: if a child needs boundaries they might feel upset at first about it, but in the long run (maybe - what do I know?) it's for the best.

This reminds me: I want to write a book on parenting. But what do I know about parenting, is the first argument against.

Nothing. Who cares? Who knows anything anyway?

13) TO SLEEP

Sometimes I'm invited out. "Hey, would you like to come meet Richard Branson today?"

But I like to sleep. So I will.

14) TO NOT ALWAYS TELL A STORY

For example, this post.

I can tell you this: if you don't give yourself permission, certainly nobody else will.

- - -


The author also wrote about the ultimate cheat sheet for dealing with excuses. Read more from the author... James Altucher, an entrepreneur, investor  and best-selling author of "Choose Yourself" and "Choose Yourself Guide To Wealth". He openly discusses the financial and emotional impact of  making (and  losing) money in his personal blog at JamesAltucher.com.


(Photo by Eddie Colla)

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Mitigating The Military Mindset

I've never been a big fan of war porn. I tend to avoid films that focus on bombing, gore, and a delusional creed of machismo because, in the end, they're all about destruction. In a fascinating profile of 98-year-old Kaname Harada in The New York Times entitled Retired Japanese Fighter Pilot Sees an Old Danger on the Horizon, the World War II veteran flying ace anguishes over the fact that there are few Japanese still alive who can recall the horrors of war. Regardless of its deadly impact, to younger generations war is equivalent to a video game.

While President Obama has steadfastly pursued a diplomatic breakthrough with Iran, Congress is littered with the dead souls of war-hungry conservative assholes like Representative Louie Gohmert ("I think it's time to bomb Iran") and Senator John McCain ("Bomb, Bomb, Bomb, Bomb, Bomb Iran!"). Unless a potent combination of diplomacy, intellect, and a determination to bring peace to the world can prevail, those who fail to learn from history may once again be doomed to repeat it.

Many look to the military for images of what a true hero is, can, and should be. But there are numerous instances throughout literature in which a military man is depicted as a bit of a buffoon. Whether a narcissistic womanizer or an incompetent soldier, these characters provide plenty of comedic material as they attempt to put the military mind (feeble though it may be) in a lighter light.





Unlike the so-called homosexual agenda, most military organizations rabidly recruit impressionable youth to become the jarheads, grunts, and sacrificial lambs of tomorrow. While some enlist in the hopes of achieving the perks and benefits offered to them by eager recruiters, many discover that the veterans' benefits they were promised (and fought for) offer less than they were led to expect. Yet, there are still many naive or confused young men who enlist in the military in the secret hope that it will "make them into a man."





Two of the most fatuous and vainglorious military men in literature (Miles Gloriosus and Sergeant Belcore) recently trod the stages of San Francisco theatres. In no time at all they were cut down to size by opinionated and forceful women with brains who are not so easily impressed by brawn.


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* * * * * * * * * *



For the past 15 years, Jose Maria Condemi has been a familiar face at the San Francisco Opera (first as an assistant stage director and eventually graduating to directing full productions): Cosi fan Tutte (2005), The Elixir of Love For Families (2008), Tosca (2008 and 2014), Faust (2009), Madama Butterfly (2010), Carmen (2011), The Secret Garden (2013), and Un Ballo en Maschera (2014). One of his strengths lies in helping singers feel secure enough physically that they can engage with their colleagues dramatically (rather than resorting to the old-fashioned "park and bark" singing technique of yore).


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Adina (Evan Kardon) reads to the villagers in a scene
from L'Elisir d'Amore (Photo by: Christian Pursell)



Condemi was recently named as the new Director of Opera at the San Francisco Conservatory of Music, where his artistic influence was amply displayed in SFCM's student production of L'Elisir d'Amore. Although Gaetano Donizetti's 1832 comic opera is essentially about the power of wine to lubricate the emotions of two stubborn young rustics who are head over heels in love with each other, one of the supporting roles (Sergeant Belcore) presents a caricature of a vain, foolish military man who assumes that young women should fall at his feet, stroke his ego, and immediately offer up their "virtue" to satisfy his enormous sexual appetite.


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Mario Rojas (Nemorino) and Evan Kardon (Adina) in a scene
from Donizetti's L'Elisir d'Amore (Photo by: Christian Pursell)



In this particular opera, Belcore (Daniel Cameron) meets his match in the form of a young country bumpkin named Nemorino (Mario Rojas) who is passionately in love with the most literate girl in town. When Adina (Evan Kardon) flirts with Belcore and agrees to marry the soldier as a way to torture the honest, goodhearted Nemorino, the frustrated young man turns for help to a traveling salesman, Dr. Dulcamara (Sergey Khalikulov), who boasts that his magical elixir can solve all romantic problems. Cheap wine usually can.


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Dr. Dulcamara (Sergey Khalikulov) and the SFCM chorus sing the
praises of his magical L'Elisir d'Amore (Photo by: Christian Pursell)



With the Conservatory's music director, Scott Sandmeier, conducting, Steven C. Kemp's handsome physical production included a passarelle encircling the Conservatory Orchestra that served as a winding footbridge from the stage to one of the aisles in the Caroline H. Hume Concert Hall. Not only did this give the cast greater flexibility in playing areas, it also brought the principals out into the audience for some key moments (which were nicely showcased by the hall's warm acoustics).


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Mario Rojas as Nemorino in a scene from Donizetti's
L'Elisir d'Amore (Photo by: Christian Pursell)



Most impressive was tenor Mario Rojas (the first Nemorino I've experienced in nearly 50 years of operagoing that looked the character), who sang with the kind of youthful fervor which can so easily elude a tenor who is 40 or 50 years old. Showing no signs whatsoever of the usual stiffness one might encounter in a tenor making his role debut, Rojas ran, jumped and cavorted all over the stage like a love-sick puppy in pursuit of Adina. From his first stage entrance, he was secure in his character as well as his vocal production -- an exciting young talent who merits careful observation as his career takes wing. His rendition of Nemorino's big aria, "Una furtiva lagrima" (performed on the passarelle and almost in the audience's lap) was thrilling not only for its vocal warmth and solid technique, but for its dramatic conviction as well.


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Mario Rojas as the lovesick Nemorino in a scene from
Donizetti's L'Elisire d'Amore (Photo by: Christian Pursell)



The young Mexican tenor's performance rested on such solid technique that it stole the show from a very capable soprano (Evan Kardon). In supporting roles, Daniel Cameron did some hilariously macho strutting and posturing as Belcore, Sergey Khalikulov was an amiable Dulcamara, and Sabrina Romero had a nice solo as Adina's friend, Giannetta. Overall, the production values were much stronger than other operas I've seen staged at SFCM. One hopes this is a harbinger of more to come in the future.


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A scene from the San Francisco Conservatory of Music's
production of L'Elisir d'Amore (Photo by: Christian Pursell)



* * * * * * * * * *




On January 30, 2011, as part of its Hidden Classics Reading Series, the Cutting Ball Theatre offered a reading of The Braggart Soldier, written by that ancient Roman master of comedy, Titus Maccius Plautus. As many fans of musical comedy are aware, Broadway's hit 1962 musical comedy, A Funny Thing Happened on the Way to the Forum, was based on three comedies by Plautus (Pseudolus, Miles Gloriosus, and Mostellaria).

The reading I attended at Cutting Ball Theatre was directed by Evren Odcikin who was, no doubt, inspired by the fact that the title character in The Braggart Soldier (Capitano) became the first stock comedic character and would later make regular appearances in plays performed by the Commedia dell'arte.


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Kai Morrison and Eden Neuendorf in a scene from
The Braggart Soldier, or Major Blowhard (Photo by: Jay Yamada)



Odcikin has since reworked the original Plautus comedy into his own adaptation entitled The Braggart Soldier, or Major Blowhard and renamed its title character Major Topple d'Acropolis. Using a translation by Deena Berg, Odcikin (who designed an appealing unit set that could easily do double service as the scenery for a children's television show), greeted his audience with the following notice in the program:

"Permission granted to buy snacks and pee before the show begins. The vomitoriums are closed for retrofit, so please use your own bucket!"



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Eden Neuendorf, Matt Gunnison, and Alan Coyne in a scene from
The Braggart Soldier, or Major Blowhard (Photo by: Jay Yamada)



Before I discuss Odcikin's production (which was presented by Custom Made Theatre), let me note that I was experiencing some postsurgical pain on opening night. I am extremely grateful to Custom Made's staff for enabling me to stand in the darkness when it became too uncomfortable for me to remain seated.


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Kai Morrison and Catherine Leudtke in a scene from
The Braggart Soldier, or Major Blowhard (Photo by: Jay Yamada)



In Odcikin's adaptation, the wily slave (portrayed with great gusto by Alan Coyne) has been renamed Dexter and the dirty old man renamed Hospitalides (Jef Valentine). The two lovers are Nautikles (Darek Burkowski) and Convivia (Eden Neuendorf). Rounding out the cast are the domineering courtesan Climax (Catherine Leudtke) and hysterical slave, Haplus (Matt Gunnison). The fanciful costumes by Keiko Shimosato Carreiro add a great deal of whimsy to the production.


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Climax (Catherine Leudtke) and Dexter (Alan Coyne) in
a scene from The Braggart Soldier, or Major Blowhard
(Photo by: Jay Yamada)



While Major Topple d'Acropolis is well practiced in boasting of his military triumphs, underneath his armor and male plumage he's a total moron with no social skills whose purported sexual conquests are dubious at best. As his freedom-seeking slave, Dexter has the brains and wile to secure his future by roundly confusing the Major and employing a friendly dominatrix to paralyze the soldier with his sexual insecurities. Rest assured that Climax has enough experience with spanking and flogging to also titillate a dirty old man like Hospitalides.


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Jef Valentine and Catherine Leudtke in a scene from
The Braggart Soldier, or Major Blowhard (Photo by: Jay Yamada)



In attempting to apply a mashup of visual styles and sight gags to his adaptation, I'm afraid that Odcikin ended up with more of a mishmash. Some judicious pruning (especially in Dexter's long opening narrative) would have helped to tighten the show. Despite an enthusiastic cast (especially Alan Coyne) which delivered highly energetic performances, I noticed a lot of moments where comedic bits didn't land as well as one might have hoped and where, due to excessive narration, any sense of momentum in the storytelling or comedy evaporated into thin air. By the end of the evening, it felt as if Odcikin was struggling to tie things together and bring his adaptation to a happy finale.


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Alan Coyne and Darek Burkowski in a scene from
The Braggart Soldier, or Major Blowhard (Photo by: Jay Yamada)



The key to understanding this production's weaknesses might very well be generational. Half a century ago, when A Funny Thing Happened on the Way to the Forum opened on Broadway, one of its major assets was that most of the creative team (and many of its actors) were old enough to have worked in vaudeville or at least experienced the kind of low, bawdy comedy that was performed in the vaudeville and burlesque theatres of the early 20th century. Prior to the onset of the swinging Sixties, society's rampant sexual repression gave jokes about sexual taboos and gross bodily functions an added punch that bestowed plenty of vicarious thrills to the proceedings.

Today, not so much. A lot of Odcikin's shtick seems more solidly rooted in television and aimed at a younger audience that knows much more about human sexuality and can easily access pictures of people's buttholes and all manner of kink on their smartphones.

Sometimes less is most assuredly more. To my mind, the actor who kept stealing the show was Matt Gunnison, a gifted clown with a mischievous Howdy Doody-like appeal who can underplay any moment to perfection.


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Alan Coyne and Matt Gunnison in a scene from
The Braggart Soldier, or Major Blowhard (Photo by: Jay Yamada)





To read more of George Heymont go to My Cultural Landscape

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Lightning assistant: No update on Ben Bishop

The Tampa Bay Lightning have no update on injured goalie Ben Bishop, assistant coach Rick Bowness told beat writer Erik Erlendsson of The Tampa Tribune.

Bishop, who missed Game 4 with a mysterious undisclosed injury, is still listed as day-to-day.


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The 28-year-old netminder took part in the morning skate prior to Game 4 of the Stanley Cup Final against the Chicago Blackhawks, but the team instead started rookie Andrei Vasilevskiy in Wednesday’s 2-1 loss.

Vasilevskiy made 17 saves in Bishop’s absence while Kristers Gudlevskis served as the backup.

Bishop will have four days of rest before Saturday’s Game 5, but it remains unclear if he will return to action. He played the entire game during Tampa Bay’s 3-2 victory in Game 3 on Monday, but he appeared to be in pain throughout his 36-save performance.

He appeared to first suffer the injury in Game 2 of the series when he left the game in mysterious fashion during a television timeout with less than 12 minutes to play in the third period. He returned for a brief time before leaving that game for good.

There has been speculation Bishop was injured on this run-in with Antoine Vermette.


The Lightning and Blackhawks are tied 2-2 in the best-of-seven series.



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